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{"id":1043,"date":"2020-09-25T16:57:49","date_gmt":"2020-09-25T16:57:49","guid":{"rendered":"https:\/\/herbreath.com\/?page_id=1043"},"modified":"2020-09-25T16:57:49","modified_gmt":"2020-09-25T16:57:49","slug":"inannas-return-and-the-bread-and-waters-of-life","status":"publish","type":"page","link":"https:\/\/herbreath.com\/prose\/inannas-return-and-the-bread-and-waters-of-life\/","title":{"rendered":"Inanna’s Return and the Bread and Waters of Life"},"content":{"rendered":"

Most of us know the story of Inanna\u2019s descent into the Underworld to visit with her sister Erishkigal. The reason for her visit is that Erishkigal\u2019s husband has died and Inanna was a childhood friend of his and she will visit to pay her respects.\u00a0 As she travels to meet her sister, Inanna must pass through seven gates at which she is asked to remove and part with aspects of herself so that when she approaches Erishkigal she is basically \u201claid bare.\u201d<\/p>\n

Upon arrival, her sister, who is angry because she believes that her husband loved Inanna, hangs Inanna from a meat hook to die.<\/p>\n

W<\/em>hile Inanna was in the Underworld, Ninshubur waited three days for Her to return, and when she did not, because she thought all was lost, Ninshubur began to mourn for her. She visited the temple of Enki who agreed to help her. Enki knows the nature of the underworld and its rule by a jealous, anguished Erishkigal.\u00a0 As a god he has the power to create and facilitate. From the dirt under his fingernails, he creates the kurgarra and galatur, instinctual, asexual creatures endowed with the artistic and empathic talent of being professional mourners, capable of mirroring the lonely queen\u2019s emotions.\u00a0 These little asexual creatures represent the attitude necessary to draw a blessing from the dark goddess. They were commanded to go to the Underworld where they found Erishkigal in the throes of agony and reeling from the misery she has caused. When she moans, they moan with her, appeasing her anguish by the echo of their concern, affirming her in her suffering.\u00a0 Enki has understood that complaining is one voice of the dark goddess, a way of expressing life, valid and deep in the feminine soul.<\/p>\n

When she observes their sympathy she will offer them a gift. They are to ask only for the corpse of Inanna and, having received it, are to resurrect her with the bread and water of life. \u00a0They perform the task of bringing Inanna back to life, reviving Her with the gift of the bread and water of life. But as they prepare to leave they are stopped by Anunna who tells them she may not leave unless someone comes in her place.\u00a0 Inanna agrees to find someone and is allowed to leave.<\/p>\n

She returns to Demuzi, her new husband, only to find him enjoying himself, drinking, feasting and making music while she was suffering. She was so enraged that she decides Dumuzi should be the one to take her place in the Underworld. \u00a0She directs the Anunna to seize him, which they do. Dumuzi desperately pleads with Inanna to relent, but she turns her back on him. He then appeals to Utu, but he too forsakes him. Dumuzi is carried away.<\/p>\n

Inanna\u2019s descent into the Underworld is the Sumerian mythology to explain the Dark Times and the seeming absence of the Goddess.\u00a0 It is at Imbolc (the beginning of Spring \u2013 our Ground Hog Day) that Inanna is given the bread and water of life.\u00a0 This is the promise of returning life, the first stirring of the Bright Goddess\u2019s return to us. She has not yet returned to her Temple, nor has she chosen Demuzi to be Her replacement.\u00a0\u00a0 She is alive \u2013 and returning.\u00a0 It will be at the coming Spring Equinox that Demuzi will be taken to the Underworld.<\/p>\n

Hail Inanna!\u00a0 Blessed Be the Gift of the Bread and Waters of Life!<\/p>\n

Retrieved at Inanna, An Opera of Ancient Sumer<\/span> <\/i>http:\/\/www.craton.net\/inanna\/main.php?action=synopsis<\/i><\/a><\/i><\/p>\n

Retrieved at Library of Halexandria <\/span><\/i>http:\/\/www.halexandria.org\/dward385.htm<\/i><\/a> <\/i><\/p>\n

Perera, Sylvia Brinton, Descent to the Goddess<\/span>, Inner City Books, Toronto, Canada 1981<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

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